After a few days of chasing volcanoes, I decided to head to Bali to see for myself the mythical island that lures millions of tourists to its shores every year. As soon as I disembarked from the ferry at the western tip, it was clear that I had stepped into a vastly different culture than Java's. Stone sculptures of various Hindu and other unknown deities stood guard at all the intersections and bridges, while ornately carved doorways and palm thatched pavilions zoomed by my bus window.
During my time here, I visited two cities that symbolize the divergent worlds of Bali - one in which the Balinese religious and cultural traditions continue to thrive despite the crowds of foreign visitors and the other in which the Western gods of Starbucks and MacDonalds -- and dreadlocked surfer dudes -- rule the streets.
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From the ferry, I headed straight to Ubud. Surrounded by terraced rice fields and lush river valleys, this laid back community is the artistic heart of Bali. The streets are lined with galleries showcasing the work of local painters, sculptors, woodcarvers, batik artisans, silversmiths and jewellers, as well as intricately carved temples and statues. Take a walk through the verdant countryside around the city and you'll find tiny villages with artists at work on their creations in one-room studios. Some of the merchandise in Ubud were of the usual souvenir mass-produced quality but there were many exquisitely crafted handmade, unique pieces on display - self-control was required to to resist the urge to buy one of everything!
As I walked the streets, I found myself just as fascinated by the subtle examples of Balinese creativity and beauty -- the fuchsia flowers tucked behind the ears of a stone god, the tiny palm leaf trays filled with rice, flowers, cookies and candies set out on the ground in front of stores and homes each morning to appease the demons. Sometimes, the artistry was a bit macabre, like this Rangda devouring a child.

One of the many highlights of my visit to Ubud were the nightly cultural shows - shadow puppets, fire walkers, traditional Balinese dances. They are quite touristy but well performed and entertaining. My favorite was the Kecak Fire and Trance show in which a circle of about 100 men chant and sway as an accompaniment to the dancers acting out scenes from the ancient Ramayana legend.

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In my two days in the famed beach resort of Kuta, I felt like I was in a little Western enclave of fast food chains, designer stores (Ralph Lauren Polo franchises on every block!) and kitschy souvenir shops (giant wooden penis anyone?). Skimpily clad foreigners wandered the streets, blithely ignoring the modest sensibilities of the local people. At night, the streets became a pulsating mass of reggae, club music and drunken revelers.
There was nothing much to remind me that I was in Bali -- aside from the sticky heat and the odd palm tree, I would have a hard time knowing I was in Asia! I can only hope that the hordes of tourists here also make the effort to see Ubud and other parts of Bali so they get a taste of this fascinating culture.
The one moving "attraction" in Kuta is the memorial erected to honour the 200 victims of the 2002 Bali bombings, which exploded along Kuta's busiest street. All that is left of the Sari Club (the site where most of the victims died) is a fenced grassy plot of land, along which relatives have left heartbreaking messages and photos of their loved ones -- their pain and anguish are palpable. As I glanced through the names of the victims on the memorial, I thought of all the brothers and sisters, mothers and fathers, husbands and wives, friends and lovers, who on that fateful day were left behind to mourn the empty space in their families.